Joy
If American Hustle was supposed to be David O Russell’s Goodfellas (which it wasn’t), then Joy can rightly be called David O Russell’s Alice Doesn’t Live Here Anymore. A sort […]
If American Hustle was supposed to be David O Russell’s Goodfellas (which it wasn’t), then Joy can rightly be called David O Russell’s Alice Doesn’t Live Here Anymore. A sort […]
Martin Scorsese’s Cape Fear is an interesting film, maybe more so than it originally seems. I haven’t seen the original, but from what I’ve read this remake both updates and […]
The King of Comedy is one of those overlooked gems lurking in the depths of Scorsese’s brilliant filmography. Like many of those more obscure films, it has nothing to do […]
Today Jon over at A Cinematic Odyssey and I continue our series of posts on films from AFI’s Top 100 with Martin Scorsese’s Raging Bull. We trade off whose site […]
Kicking off my best picture themed month for 2014 we have a largely forgotten film: The Deer Hunter. There have been many films about the Vietnam War over the years, […]
Goodfellas is arguably Scorsese’s best and most popular film. For some reason, it didn’t really connect with me when I first saw it a couple years ago. While I did […]
Well, it’s been a frightfully long time (over a month!) since my post on the best cinematic bromances that went right, but here we finally are looking at the ones […]
So I have finally reached the end of my Tarantino quest. Some time last year, I made a promise to myself that I would see Django Unchained, and if I […]
Scorsese’s back! No more The Age of Innocence or New York, New York getting out of character stuff; Casino is a Scorsese film through and through. As much as I love, […]
New York, New York is sort of an odd film out in Scorsese’s filmography, coming in between his two greatest films: Taxi Driver and Raging Bull. Critics don’t like it […]
The New Orleans Film Critic
"How 'bout you go to the movies with me tonight?"
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a personal look at film's golden age
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"all of life's riddles are answered in the movies"
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Reviewing all Oscar nominees (not just the winners) in one year.